EDITOR’S NOTE

POETRY
WEIJIA PAN  War as the Past and Future / Lullaby for Myself as a Descendant of the Twentieth Century
CAYLIN CAPRA-THOMAS  Reading Montaigne at the Midwest’s Largest Swim-Up Bar / Hemicrania
KAZIM ALI  Shillong / Carcolepsy
WHEELER LIGHT  You Should Be Reading Poetry and I Should Be Going to the Theater
CINDY KING  Act Now / No Exchanges, No Returns
JANE YEH  Self-Portrait as Punishment / Self-Portrait as Postscript
JESS YUAN  Dream of the Project Manager / Babel
GARRETT HONGO  Three Poems at Seventy-Four
JOHN KINSELLA  from The Spectacles (contesting Martial)
DAVID BAKER  My White Hawk
KELLY HOFFER  a dreamy prospect
CLAIRE WAHMANHOLM  Our Revels Now

FICTION
LIZ DEWOLF  Lingua Franca
LORENZA STARACE  Rio dei Greci
RAMIRO HINOJOSA  At Ease
BECKY HAGENSTON  Ghost Story
GRETCHEN SCHRAFFT  The Bastard Agrimony
JAMES ALLEN HALL  Do You Want a Prize

NONFICTION
Testimonies
NATASHA SINGH  Eating Ritual
ALI ARAGHI  How I Became “War Stricken” in Four Days

Ruminations
CHARLES BAXTER  Five Paper Pills

Reclamations
AIMEE LIU  J. Edgar Hoover v. Maurice T. Liu
MEGAN STAFFEL  The White Horse

TRANSLATIONS
DOMENICO STARNONE  Maybe
translated from the Italian by Oonagh Stransky
LU DONG  Many-Sided House / Fake House
translated from the Chinese by Austin Woerner
HILDA HILST  Four Poems from Amavisse
translated from the Portuguese by Justin Greene

REDISCOVERIES
WILFRED THOMASON GRENFELL  from Adrift on an Ice-Pan

CONTRIBUTOR’S NOTES

COVERT ART  KAROLA PEZARRO